Wed, 15 Jan | Fourth Monkey Actor Training Company

Clown Studies Course: History, Theory and Analysis of Clown

It’s finally here! The new Clown Studies weekly class in London, with online access for those who aren't able to attend in person.
Registration is Closed
Clown Studies Course: History, Theory and Analysis of Clown

Time & Location

15 Jan 2020, 18:30 – 20:30
Fourth Monkey Actor Training Company, The Monkey House, 97-101 Seven Sisters Rd, Finsbury Park, London N7 7QP, UK

About the Event

 NEW! Clown Studies Course: History, Theory and Analysis of Clown - Wednesday classes

Enrolment now open for Clown Studies Course 15th Jan - 1st April 2020 Time: 6.30 – 8.30pm Venue: To Be Confirmed (online option also available) (provisional venue Fourh Monkey, Actor Training Company, London) Cost: £180 (whole term); £80 (5 classes); £65 (4 classes); £18 (1 class) EARLY BIRD PRICE before 15th December 2019 - £140 Prices are the same for all options (in-person or online) Max. no. of participants: 20 attending London venue ​ Payments in advance are valid for the term.​

For enquiries and to enrol, please email: Updated information on the new course will be appearing here:

It’s finally here! The new Clown Studies weekly class in London, with online access for those who aren't able to attend in person.

Clowning is generally thought to be something you do without the need for any kind of formal education. However, that doesn’t mean that clowns don’t think about what they do, or ask themselves questions about the why and the how of their art. Nor does it mean that they are unaware of the history of clowning, or of its many and varied manifestations in different cultures around the world. Even if you don’t generally talk about clowning as a philosophy, you are likely to have a set of ideas or assumptions about what is of value, that inform how you perform or see other clowns.​

This course aims to bring all that thinking out into the open, and to add to what each individual already knows by asking questions about clowns: past, present and future.​

This will be the first of its kind. I started running classes on clown studies (history, theory, analysis) back in 2006 when we opened the Barcelona Clown School. It felt like an innovation then. No one was really teaching clown history or theory or analysis. To me it seemed self-evident that thinking and knowing about clowning could benefit your performing. Or that it could be a worthwhile and fascinating study in itself. More than a decade later, and as far as I am aware there is little or no chance to study this field, neither in private clown schools nor in universities, despite all the talk of embracing ‘popular performance’.

For nearly five years, the London Clown School has consisted of practical weekly workshops in the foundations of clown dynamics and the developing and devising of clown performance material. It has also indirectly given birth to an experimental performing company that presents a monthly show in London, ‘Friday Flop’. People come regularly or occasionally to classes, and there is always a mix of old and new faces. Each participant gets to explore as they wish, whether it's discovering the joy of being stupid in front of others, or preparing performance material to try out in public. you may learn, nor when you may learn it.

So, now it’s time to offer, in a similar sustained way, an opportunity to explore the other side: the history, theory and analysis of clowning.

How will the Clown Studies Course function?

Options for following the course You can combine the options for following the course (in-person/online live/recorded) You can follow this course by: - Either attending the weekly class which meets in London - Or through one of the online options (livestream or recorded) - Or by combining any of these options There will be two options to follow the course online: - either through livestream at the same time as the class meets in London - or though recordings of the sessions and access online to the same materials - or you can combine these two options as convenient.

Sessions Each week’s session will focus on a particular aspect of clown studies, using a combination of video viewing, readings and discussion.

Syllabus Theory General questions - What is clown? What is funny? How can we talk about clown? What is clown’s relationship to comedy? to humour? How do we know what clowns are? What are they for? History What is clown’s history? How are clowns specific to their time and place? Why do different meanings become attached to clowns according to their time and place? What is a Shakespearean clown? A circus clown? An auguste clown? A personal clown? What are clowns doing now? What do clowns argue about? What are todays issues for clowns? Using a selection of texts and other sources, we will study some of the principle movements in clown history as well as current trends. Analysis Using practical observation of the work of clown performers, live or on video/film, contemporary or historical, how can we talk about them? What is the vocabulary of the clown critic? How can we answer the question ‘why is this (not) funny/clown?’ Whenever you watch clown performance, whether on video or live, you will be expected to record your responses for later discussion.

Assignments and Feedback There will be short assignments or questions each week/session relating to the session covered or coming up (if you follow it in your own time though recorded materials this can be done at your own convenience within the overall time limit for the course). It is envisaged that you will need to spend around an hour reading, watching materials and writing or recording your responses each week/session. Each participant will receive feedback or comments as the course progresses.

Projects Each participant will compile a small single-issue project of their own choice on clown themes, by the end of the course. Each project will receive feedback and may also be discussed by the course participants when appropriate and feasible. The aim of the project is to produce a short response or reflection on a specific area of clown studies. Projects can be compiled in any format - text, photos, videos, spoken word or any other format that can be stored or recorded for future clown students to consult. The amount of time needed to compile the project may vary according to the content and format.

Live streaming and recording access - You will need access to YouTube. I would advise that you sign up for a channel if you don’t already have one. - Those participating in live stream sessions will be able to interact via text chat when appropriate. - Live-streamed sessions will be available as recordings once the live session is over - You will be invited to join a private group on facebook where all participants can communicate with each other in a support and discussion forum.

Additional source materials - Participants will be provided with a variety of source materials – text extracts, video, photos, bibliography. - Additional video material will be made available via playlists and my own website for you to access at any time during the course and until the cut-off point (one year form the beginning of the course). Much of this material is available online freely in any case, but it will be organised for your convenience of study and reference

There will be a cut-off time for the assignments and receiving feedback of one year from the date of the beginning of the course.

Provisional expressions of interest: Please get in touch by email to if you are interested in either attending in London (venue to be confirmed) or following online. 

Registration is Closed

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